In the middle of a short story, there isn't much to say because you can do whatever you want. Last minute cheap essay The only stipulation is that you must progress your story in a logical manner toward its conclusion (the finish) and write in such a way that the readers remain engaged.

There are a few points to remember:

Some short stories have a lot of descriptive details but not much of a plot. It quickly becomes tedious. A prevalent issue, particularly among beginners, is that there are no surprises. However, if someone suspects or knows what will happen at the start, he will be less inclined to continue reading.

Only artists with a highly vivid, even lyrical style could manage something like that, with lots of descriptions, no storyline, and no surprises. All other "scribblers" do nothing but bore the audience.
The phrase "narrative viewpoint" comes to mind. Consider from whose perspective you want to tell a story. Is there a speaker in the first person? Or do you tell it from a third-person point of view? It's best to stick to one point of view, especially when writing brief paragraphs. Should you ever blend diverse points of view at random? This confuses the reader.
Short thrillers are frequently told from the perspective of the culprit.

There's a reason for this: the author doesn't have much time to construct a world and depict diverse people in 3 to 10 and even 15 pages. As a result, he immerses himself in the mind of the one character because no crime drama is complete without the perpetrator. Then, from his perspective, explain everything.

Consider whether you want to employ a lot or little dialogue when it comes to text length. Direct speech adds realism to a narrative, but it also lengthens it.

Occasionally, a character grows on the author as well as the audience, but the night ended far too soon. The solution is to have recurrent protagonists, or serial characters, as on television.

There's nothing wrong with repeating the primary character's role.
The conclusion
The last few sentences influence how a reader evaluates and remembers a tale. So, towards the end of your short narrative, make sure the reader is not disappointed, but rather satisfied and, at best, shocked.

Best-selling author Isabel Allende said in an interview: “A short story comes as a whole; there is only one suitable ending for it ... You don't have a story if you can't find that ending... A short tale, to me, is like an arrow; it must be perfectly aligned from the start, and you must know exactly where you are shooting.

How does a story come to an end? With a pleasant, unhappy, or open conclusion. You can answer a riddle and then publish a new one, allowing the reader to create their own story. You can end with a punch line or a "twist in the tail," an unexpected twist (which is popular in short thrillers).
Of course, by laying one erroneous track - or several - you might affect the fact that the story (at least for many readers) comes to a startling conclusion.

According to John Gardner, an American author and writing teacher, there are only two types of endings. (John August, a screenwriter, mentions him in his blog in this way.) The resolution is one of three things: the criminal has been caught, her diamonds have already been found, or the lady of the heart has been conquered. The other is logical exhaustion, which occurs when a storyline had reached that point of interminable repetition. If the central protagonist, for example, is stuck in an empty ritual or constantly exhibits the incorrect reaction. The ending is more traditional and (particularly emotionally) more rewarding.


Take, for example, the American author Dean Wesley Smith. He established a goal for himself to write 100 short tales in a year. buy last minute essay Even when it doesn't work out, something like that might become a great incentive. In 2011, Dean Wesley Smith wrote "just" 32 short tales in addition to his other books and texts, and he was naturally pleased with the results.

Of course, you can start small, with one article per month, for example. After a year, you'll have twelve, which is enough to make a booklet.

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